![]() 2 with the Yomiuri Nippon Symphony Orchestra. In concert, Nicole Cabell performed with the Lake Forest Symphony ( Sisters in Song, a joint program with Alyson Cambridge, which was just commercially released by Cedille Records), the Netherlands Radio Philharmonic, and in Mahler’s Symphony No. Cabell was also heard in recital at the Frankfurt Opera, Carnegie Hall, the Harris Theater for Music in Dance in Chicago, the University Musical Society in Ann Arbor, and in Louisville, Kentucky. Cabell performed the Countess in Le Nozze di Figaro with the Grand Théâtre de Genève, Flavia in Eliogabalo with the Dutch National Opera, the Countess in Le Nozze di Figaro with Michigan Opera Theatre, and Micaela in Carmen with the Atlanta Opera. In the summer she returned to Tanglewood for the closing concert of the season as the soprano soloist in Beethoven’s Symphony No. Cabell performed a set of songs on texts by Langston Hughes at the Metropolitan Museum, sang the Mozart Requiem with the Cincinnati Symphony and David Robertson before joining Master Voices and Ted Sperling at New York’s Alice Tully Hall. She also made her Pittsburgh Opera debut as Mimi in La Bohème before returning to the Minnesota Opera for Violetta in La Traviata and to the Cincinnati Opera for Juliette in Roméo et Juliette. Nicole Cabell opened the previous season with her first stage performances of Bess in Porgy and Bess with the English National Opera to incredible public and critical acclaim. Prior to that, she returned to Michigan Opera Theatre for Donna Elvira in Don Giovanni, to the Boston Symphony for Poulenc’s Gloria with Andris Nelsons and to the Atlanta Symphony for Mahler’s Symphony No.
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